YES

In an attempt to navigate and understand my new life in London, I ventured out into the streets in search of clues that would allow me to understand the city I was living in. From this experience several pieces emerged that were related to my immediate surroundings, where constant travel on trucks and on foot ushered me to observe and recompose everyday elements into a succession of fantasies, self-deceptions, and idealizations.

The resulting pieces are solitary games: with the yellowed news posters where I isolate individual words to turn them into love poems; the collages formed by fragments of constructions and concert lights; the contact sheets when photographing the Barbican Centre and the emptiness of images; either the playfulness with the volume of a song that is regulated according to the intensity of the sun.